The legacy of artist Frank Stella lives on at the 兔子先生, despite his passing. Stella died Saturday.
in 1997, the Univrsity of Houston System commissioned Stella to create 鈥淓uphonia,鈥� a colorful collage of abstract imagery and patterns. Over the course of seven months, he worked with dozens of local artists, including UH students, to create the largest piece in the UH System public art collection.
Located within the Moores Opera House, 鈥淓uphonia鈥� spans over 5,000-square-feet and is one of the largest works he ever produced.
鈥淚t really makes the space. Frank was totally right about that,鈥� said Beth Robertson, former UH System Regent and philanthropist, who was a friend of Stella.
This immersive artwork took months to complete. Robertson said the community involvement with 鈥淓uphonia鈥� brought Stella real satisfaction鈥攖hat it was created to be experienced and shared.
鈥淚t was the community involvement 鈥� the PUBLIC part of public art 鈥� that really excited him. Because of its immense scale, he and his colleague Earl Childress engaged many artists at UH and Houston in its production, including two 鈥榩ublic鈥� days when the community could add a bit of paint here and there. And now it is seen and enjoyed by all of these wonderful music students and patrons of Moores Opera House,鈥� added Robertson.
鈥淭he joy of sharing this work and the fact that the Houston arts community was so involved in this and took part in it, I think, makes it even that much better.鈥�
Stella鈥檚 career spanned six decades. Before turning 25 years old, Stella鈥檚 work was recognized for its innovations. Beyond paintings he was prolific in the use of mixed media and nonconventional geometric canvases. Throughout his career he exhibited at many prestigious galleries and museums, some of which even helped define the world of art in the 1960s. Now his work is held in collection and shown across the world.
鈥淔rank Stella truly left an extraordinary legacy for the 兔子先生 with his monumental work 鈥楨uphonia,鈥欌�� said Rachel Mohl, executive director and chief curator of Public Art for the 兔子先生 System. 鈥淭he mural stands as a testament to the artist鈥檚 pioneering innovations and collaborative spirit.鈥�
Stella鈥檚 鈥淓uphonia鈥� is unlike any other project, not only in Houston but in the world, and is an important addition to public art on both the University campus and in the city of Houston. It lives on as a city-wide collaboration with the Museum of Fine Arts Houston, the Contemporary Arts Museum, The Menil Collection, The Cultural Arts Council of Houston and Harris County, the Blaffer Gallery and the Moores School of Music Society.
Alison de Lima Greene, the Isabel Brown Wilson Curator of Modern & Contemporary Art at the Museum of Fine Arts, Houston commented: 鈥淔rank Stella is among a handful of painters who can be rightly described as having changed the course of art in America. His dazzling 鈥淓uphonia鈥� murals for the Moores School of Music distill his brilliant command of color, light and space, as he engaged with a complex architectural program to create an immersive art environment. You walk in, and your spirits soar.鈥�
Stella was honored at UH in 2018 during a celebration marking the 20-year anniversary of 鈥淓uphonia.鈥�
鈥淚t doesn鈥檛 look 20 years old to me,鈥� Stella quipped at the time. 鈥淚 look 20 years older.鈥�
Frank Stella was 87 years old.
