兔子先生

Dionysia's Great Greeks

Dionysia 2011, the signature annual event from the Center for Creative Work (CCW), begins on Friday, April 8th and features Aeschylus鈥 Agamemnon

Following the success of Dionysia 2010 last March, which brought almost 600 people to campus, this year鈥檚 celebration features many of the same events: an Ekphrastic art show, a pre-show Agora, and a special rooftop performance at Khon鈥檚 in Midtown.

With this year鈥檚 production of Agamemnon joining previous years鈥 productions of Euripides鈥 The Children of Herakles and Sophocles鈥 Electra, CCW has now produced a surviving play from each of the three great Greek tragedians. As in previous years, this year鈥檚 play features a fresh translation made by Honors professor John Harvey, director of the Center for Creative Work. The result is something even more violent and shocking than your normal translation.

鈥淓ven when we had our first cast reading, just reading the words off the page for the first time, it was absolutely invigorating,鈥 said Jana Trojanowski, the stage manager. 

Students, parents, friends, and alumni are invited to share food and drink during Friday鈥檚 pre-show Agora, which is modeled on the Dionysiac festivities of ancient Athens. Like the Athenians, attendees join in a procession from the Honors Commons to the Wortham Theatre for Friday鈥檚 show. 

鈥淎lumni can see how the Honors College has evolved into a dynamic creator and promoter of the arts,鈥 said Dr. John Harvey. 鈥淎lumni can also witness how the Human Situation has created a full experience鈥攆rom reading a Greek tragedy in the fall to enjoying not only one but three performances based on that tragedy in the spring.鈥

In addition to Agamemnon, this year鈥檚 Dionysia includes two other productions influenced and inspired by CCW鈥檚 production. Brandy Holmes presented Yes, Cassandra at the Interstate Fringe Festival in New Orleans on March 18-19, and Divergence Music & Arts will produce a world-premier opera dance theater production called . Both Holmes and Misha Penton (Divergence Vocal Theater鈥檚 artistic director) expand on their Agamemnon roles (Kasandra and Klytaimestra, respectively) in the productions they鈥檝e created. Said Holmes, 鈥淚t鈥檚 a different cut, but from the same cow.鈥 

Through the Dionysia, Honors students bring their knowledge of the Greeks to the larger community. 鈥淔or most humans on the planet, seeing a Greek tragedy is rare,鈥 Dr. Harvey said. 鈥淏ut for Honors College students and alumni, it鈥檚 the norm.鈥 Holmes concurred: 鈥淭he Honors College students have thrown themselves into this process in ways some professionals are too scared to try. Beyond the fact of their vast knowledge of Greek literature, this kind of work requires a certain level of emotional awareness in order to make bold choices. They鈥檝e really stepped up to the plate.鈥